Amazing looking Vuillaume
#1
Posted 18 June 2012 - 11:08 PM
Price seems on the high side but what an incredible del Gesu tribute by JB. Wonder how it would do in a sound comparison.
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"Drivel hyping firewood." -Maloney
#2
Posted 18 June 2012 - 11:43 PM
#3
Posted 19 June 2012 - 03:56 AM
What? If your refering to the top left of the back edge,its wear/simulated wearI didn’t realize the Cannon had painted purfling.
#4
Posted 19 June 2012 - 04:07 AM
Specializing in the research and restoration
of baroque, transitional, and modern violins.
http://www.violinist..._johann_taylor/
(violin shop ad, with links to instruments for sale, pictures of
violins I restored, and recordings and pics of my clavichords)
#5
Posted 19 June 2012 - 04:17 AM
#6
Posted 19 June 2012 - 04:46 AM
In this case the certificate is by Rampal, who is OK by me, even for a Vuillaume.
Given that good Vuillaumes are selling at auction (particularly to a Korean collector) for over £120,000 ($180,000), for once I don't think the price is unreasonable, though most of this seller's stock seems laughably over-priced.
As I understand it he regularly accepts offers way below the Buy It Now price.
#7
Posted 19 June 2012 - 02:02 PM
What? If your refering to the top left of the back edge,its wear/simulated wear
I like how he has made the purfling channel really "sloppy". The scroll, of course,
is pure Katarina.
.
"Drivel hyping firewood." -Maloney
#8
Posted 19 June 2012 - 03:54 PM
Put down your theories and pick up the wood.
#9
Posted 19 June 2012 - 04:46 PM
The scroll is mindblowing. Ha! Who would dare!
What's so great about the scroll? It's very asymmetrical. Well... if it's a DG copy that would make sense I guess
#10
Posted 19 June 2012 - 05:01 PM
Jeffrey
J. S. Holmes Fine Violins, LLC
Oberlin Summer Restoration Workshops
Oberlin Summer Instrument Restoration Workshop on Facebook
#11
Posted 19 June 2012 - 05:25 PM
What? If your refering to the top left of the back edge,its wear/simulated wear
Yes, I thought is was painted, not “worn” through inlay.
#12
Posted 19 June 2012 - 09:12 PM
#13
Posted 19 June 2012 - 11:00 PM
Put down your theories and pick up the wood.
#14
Posted 19 June 2012 - 11:44 PM
Actually, I would say that Vuillaimes are accurate snapshots of the fiddles when he got them, even 160 years later. When you handle a Vuillaime, the varnish is so damn hard... The old Cremonese are antiqued because the varnish was soft and vulnerable. French 19th century varnish is not.
Very interesting point, I didn't know that (re: really hard Vuillaume varnish).
Ah that Cremonese wabi-sabi...
.
"Drivel hyping firewood." -Maloney
#15
Posted 20 June 2012 - 04:07 AM
All is not lost - you can have a superb French violin for much less, it also has the "natural and dark brown varnish like the best of Vuillaume" : Louis-Paul Jabot (?)
#16
Posted 20 June 2012 - 10:05 AM
Hi Steve,
All is not lost - you can have a superb French violin for much less, it also has the "natural and dark brown varnish like the best of Vuillaume" : Louis-Paul Jabot (?)
That one is not wabi-sabi, it was varnished with wasabi !
.
"Drivel hyping firewood." -Maloney
#17
Posted 21 June 2012 - 11:35 PM
#18
Posted 10 August 2012 - 07:44 PM
It is also quite overpriced considering its condition.
If you look carefully at the lower right portion of the top - right of the F-hole - that is a whole new piece all the way to the right corner. (Notice the darker color wood compared to the intact wood on the left)
This alone would bring the price down significantly. I'd say in the 150k range.
Make him an offer! LOL
#19
Posted 11 August 2012 - 02:22 AM
#20
Posted 11 August 2012 - 11:35 AM
Even the "Cannone" which Vuillaume modeled many of his Del Gesu copies on is about 35.3/.4
Vuillaume then put his own interpretation on the pattern where unless it was a "Bench" copy they are in the 35.7-35.9 range.
In the end it comes down to your personal preference and hand/body size etc.
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