Violin ID
#21
Posted 31 May 2012 - 05:27 PM
Richard
#22
Posted 31 May 2012 - 05:33 PM
Get off that thing and get Back to work
#23
Posted 31 May 2012 - 06:36 PM
Martin, I stand corrected. I had to go back to Jacob's Mittenwald Verleger vs. Markneukirchen Dutzenarbeit lecture to confirm I had it backwards: Mittenwald is more likely to have the one piece lower rib and notch.
Richard
AKA "The Mittenwald Notch"!
#24
Posted 01 June 2012 - 12:26 AM
(http://www.maestrone...68)
post #18,
should note, that several of the listed features are required for a confident identification, and not a single one.
I will be reserveing judgement untill such time as th OP provides the information I requested in post #15
#25
Posted 01 June 2012 - 12:42 AM
A "Mittenwald Notch" is insuficciant to identify an instrument as originating in Mittenwald, since such a "notch" can be seen on instruments from all sorts of other places too.
Thank you Jacob. I thought of opening my mouth (keyboard) earlier today to say something similar.
Jeffrey
J. S. Holmes Fine Violins, LLC
Oberlin Summer Restoration Workshops
Oberlin Summer Instrument Restoration Workshop on Facebook
#26
Posted 01 June 2012 - 01:55 AM
Not altogether typical, but I am pretty sure it is Mittenwald, about 1830.
I was ignoring the notch
I think it is of the type and period when Mittenwald makers are gradually abandoning the ubiquitous Kloz inspired outlines, and I am pretty sure an internal inspection will reveal the correct characteristics for that area.
Get off that thing and get Back to work
#27
Posted 01 June 2012 - 03:03 AM
I`m terribly sorry, but I can`t work out what it is and am wondering if the scroll belongs to it.
PS.@Wooden:
-are the linings let into the corner blocks and if so, how?
-how far does the fluting of the scroll go around into the throat?
Hello Jacob.
The linings (they are narrow) let into the corner blocks. Sorry I am not sure what do mean with "how?".
The fluting of the scroll goes to the end of the volute: It reaches the throat.
Sorry if my English is not clear enough...
#28
Posted 01 June 2012 - 03:34 AM
This information means that “A: Markneukirchen-Schönbach” can’t possibly be the case, although it doesn’t entirely exclude “C: Neither A nor B”. I presume that the violin would be from the southern German area, although I’m still a little bit hesitant to say Mittenwald to it.
#29
Posted 01 June 2012 - 03:56 AM
Personally I think it's most likely Mittenwald because it's very reminiscent of a violin I know well which was definitely Mittenwald, and the one piece bottom rib and "notch" (hardly visible) are helpful corroboration and a further point of similarity.
But the OP was most likely looking for a country of origin and a rough date ... on which there seems to be broad agreement.
#30
Posted 01 June 2012 - 11:44 AM
Can be those identification marks of a previous owner? perhaps it belonged to a school?what is the "II" mark on the scroll and on the lower rib?
It looks like "J II"
#31
Posted 01 June 2012 - 11:51 AM
Or just settle for “interesting southern German violin, probably first half, 19th century.” Or make something up, like Josef Verlager 19 Bratwurst Straße Mittenwald, 12 Juni, 1838. Which is pleasingly more definitive, but definitely wrong.
(nobody mentioned the saddle inlet into the ribs... also not diagnostic, but a common feature)
#32
Posted 01 June 2012 - 12:56 PM
(nobody mentioned the saddle inlet into the ribs... also not diagnostic, but a common feature)
That would be "The Mittenwald Notch" everyone is referring to
-L.L
#33
Posted 01 June 2012 - 01:04 PM
No, it isn't... the notch is the inverted V at the bottom of the rib.That would be "The Mittenwald Notch" everyone is referring to
Get off that thing and get Back to work
#34
Posted 01 June 2012 - 01:07 PM
Although not strictly contra-indicated in an identification of "Mittenwald", we should deem it unworthy of mention, common as it is on Scottish, English, Viennese violins, Ladislav Prokops etc .....
Even the concurrence of one-piece bottom rib, centre notch and inset saddle should be viewed with extreme caution, and should not cause us to hurry blindly to a false conclusion!
Gerald, no actually, the notch everyone is referring to is the remains of an upturned V below the tailpin, which was used to mark the centre point of a one piece rib by Mittenwald makers and of course many other early 19th century schools of violin-making such as ........... erm ..........
Please excuse me if you're using extreme irony!
ps. the marks on the scroll and the bottom rib also look to me like some kid's doodlings .....
#35
Posted 01 June 2012 - 01:17 PM
Please excuse me if you're using extreme irony!
Not extreme irony but I was hoping Addie would correct me...I had just read Mr. Saunders quiz for him and was trying to have some fun
-L.L
#36
Posted 01 June 2012 - 01:36 PM
What about the circular mark around the tailpin? It looks like if transfered from the inner block or...what?ps. the marks on the scroll and the bottom rib also look to me like some kid's doodlings .....
#37
Posted 01 June 2012 - 01:53 PM
Addie, you're gonna get a C minus for mentioning the inset saddle ....
No, I was already failed for using a goat emoticon on Maestronet. People don't appreciate how hard it is to find a goat emoticon. Interestingly, the Mittenwald notch was first used as an earmark on local goats. It's well known that Mittenwalders were not wholly luthiers, but also farmed and practiced animal husbandry. (I wonder what Mr. Stephen will make of that term)
(notice the lack of emoticons in this post. Call it "sucking up." Next comes whining and crocodile tears. Gotta bring that grade up to at least a 'C')
#39
Posted 01 June 2012 - 02:11 PM
You may see a goat, I see a Bosnian bagpipe in waiting (incorporating a Mittengoat notch)
#40
Posted 01 June 2012 - 02:50 PM
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